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TEXAS SCOTTISH FESTIVAL
'98 - the year of the HARP!

by Nancy Hurrell

Published in the Folk Harp Journal, Fall 1998

It was indeed 'the year of the harp' - as Texas Scottish Festival director Ray McDonald kept telling me! And for that reason, it was a little easier for Sue Richards & I to pull away from an incredible conference in Galveston - and head for the week-end in Arlington (through Houston traffic, torrential rain, & radar speeding traps!).

At this year's festival, two of Scotland's best known harpers (or clarsach players) appeared: William Jackson and Judith Peacock. William, founder of the group Ossian, performed on harps- gut strung and wire strung, and on flute & whistle. Judith came as harper in the group-'Whistlebinkies'. And Sue Richards, our American Scottish harp champion, performed (has quite a fan club here) and judged the Scottish Harp Competition.

There was actually another Scottish clarsach player at the games- Eddie McGuire, also of the 'Whistlebinkies'. Eddie plays flute & piccolo in the group, and is known as one of Scotland's foremost composers, with commissions from the BBC Scottish Symphony, the Scottish Ballet, and many others. He also plays clarsach on a track on the 'Whistlebinkies' CD, A Wanton Fling- "Deireadh Leave", with Judith singing. A hauntingly beautiful arrangement, Eddie & Judith agreed to perform it for us in the Harp Tent as part of Judith's workshop on, 'Scottish Gaelic Music on Clarsach'.

Judith is a fluent speaker of the Gaelic language, and hearing her clear high voice in ancient Gaelic was memorable. As a member of the 'Whistlebinkies', she definitely holds her own! She's a strong player and her John Yule harp is strung in the upper octaves with gut strings half the normal guage, giving a brightness that really cuts through the texture of the group. Judith is a professional pedal harpist also and we swapped stories of worst moments with as she put it, "pedals in a twist"!

In William Jackson's workshop, we learned a tune by ear, and he talked about everything from arranging Scottish tunes for clarsach, to the history of the harp in Scotland- describing early stone carvings of harpers on tombstones. It's different somehow, hearing a description firsthand, from even looking at a photo in a book. He also talked about various string types-even the horse hair strings used at one time in Wales, and techniques of playing.

Sue Richards led the Harpers Circle and in concert performed one of her beautiful new harp solos from her book, Morning and Midnight. In addition to harp ensemble playing, harps joined forces with accordianist Jack Rennie, from California, to accompany the Scottish Country dancers, who danced by the Harp Tent both days.

The weather was suspiciously cool all week-end- in the 70's & 80's!, the breeze often playing our harps. A personal highlight of the week-end was playing in a harp trio with Judith and Sue for the church service Prelude. With 3 harps, there are infinite creative possibilities!!

The Clan Lamont award for Best Harper of the Day was a stunning mounted sculpture of a harper, designed by artist Pamela Gilbreath Watkins. Competition winners were:

  • Beginner:
    • 1st - Rachel Gracia
    • 2nd - Allison McCollum
  • Novice:
    • 1st - Laura Gracia
    • 2nd - Kayce Smith
  • Junior Amateur:
    • 1st - Shelly Savill
    • 2nd - Chelsy Hutchison
    • 3rd - Sara Savill
  • Senior Amateur:
    • 1st - Laura McKinstry
  • Best Harper of the Day Clan Lamont Trophy:
    • Chelsy Hutchison

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